2022

• JMP 27.513

  Adolf Wiesner (1871-1942)

  Portrait of Louisa Poláčková (Louise Polacek), born Kohnová (Kohn) (1885- after year. 1941)

  Oil on canvas, 125 x 100 cm

  Signed and dated lower right: Ad. Wiesner 1926



• Provenance: JMP acquisition from 1942-1945, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): B 731 of Louisa Poláčková.

2020

• 097.226

  Max Soldinger (1906-1962)

  Portrait of a Young Man (Ewald Osers)

  Pastel on paper, 49 x 39 cm

  Signed and dated lower right: M. Soldinger / 1931



• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): AAh 683



• 097.281

  Max Soldinger (1906-1962)

  Portrait of a Boy (Jan [Hanuš] Rudolf Osers)

  Pastel on paper, 50 x 39 cm

  Signed and dated lower right: M. Soldinger / 1931



• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): AAh 683

2019

• Inv. No. 60.609
• Václav Zykmund (1914–1984)
• Abandoned House, 1934
• Oil on canvas, 66 x 51 cm (frame 93,5 x 79 cm)
• Signed and dated lower right: V. Zykmund 34
• Original frame

Provenance: JMP acquisition from 1943, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): J 628

2015

• 060.575
• Endre Nemes (1909-1985)
• Metaphysical Interior, (1938/39)
• Distemper on plywood, 67 x 50 cm (frame: 88.3 x 70.5 cm)
• Signature lower right: Endre Nemes, undated
• Framed, under glass

2014

• 89.261
• Antonín Fila (1796-1869)
• Portrait of Man with Sealed Letter, 1841
• Oil on canvas, 68.5 x 57.5 cm
• Signed and dated lower left: Ant. Fila pin. / 1841
• Recently restored, relining, new stenter frame

2010

Voluntarily transferred to the heirs of Hella Guth

• 77.824/1
• Hella Guth: Woman with Parrot (Frau und Papagei), ca. 1928
• Woodcut on japan paper, sheet: 213 x 163 mm, print: 140 x 116 mm
• Signed with monogram “HG” on the left in the plate
• Marked under the print: “Frau und Papagei”; lower right: “Hella Guth”; no date
• Verso: a sketch of a female nude plus written and numerical designations – top right corner: “f”; lower right: “1h”
• Matting: pasted on 441 x 300 mm cardboard
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue of the wartime Central Jewish Museum in Prague (hereinafter “the German Catalogue”): M 686

• 77.824/2
• Hella Guth: Girls at Window (Mädchen am Fenster), 1928
• Woodcut on paper, sheet: 316 x 233 mm, print: 160 x 140 mm
• Marked under the print: “Hella Guth 928”
• Verso, top right corner: “b”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.824/3
• Hella Guth: Girls at Window (Mädchen am Fenster), 1928
• Woodcut on japan paper, sheet: 277 x 214 mm, print: 160 x 140 mm
• Marked under the print: “Mädchen am Fenster, Hella Guth”; no date
• Verso, top right corner: “c”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.824/4
• Hella Guth: Hella Guth: Girls at Window (Mädchen am Fenster), 1928
• Woodcut on paper, sheet: 290 x 230 mm, print: 160 x 140 mm
• Marked under the print: “Mädchen am Fenster, Hella Guth”; no date
• Verso, top right corner: “d”; lower right: “5”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.824/5
• Hella Guth: Suburban Cabaret (Vorstadt – Varieté), 1920s
• Woodcut on paper, sheet: 390 x 350 mm; print: 288 x 244 mm
• Marked under the print: “Vorstadt – Varieté, Hella Guth”; no date
• Verso, top right corner: “e”; lower right: “2”
• [see inv. no. 77.826/4]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.824/6
• Hella Guth: Mother with Dead Child, ca. 1928
• Woodcut on paper, sheet: 458 x 258 mm; print: 290 x 172 mm
• Marked with monogram “HG” in the lower left of plate; also marked lower right under the print: “Hella Guth”; no date
• Verso, top right corner: “g”
• [see inv. no. 77.826/11]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.824/7
• Hella Guth: Landscape (Landschaft), ca. 1928
• Woodcut on paper, sheet: 213 x 166 mm; print: 160 x 139 mm
• Marked under the print: “Landschaft Hella Guth”; no date
• Verso, top right corner: “M”
• [see inv. no. 77.826/1]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/1
• Hella Guth: Woman with Jug, ca. 1931
• Brush and ink drawing on paper, 292 x 228 mm
• Marked lower right: “Hella Guth”; no date
• Matting: pasted on 494 x 321 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/2
• Hella Guth: Head of Woman, 1931
• Brush and ink drawing on paper, 354 x 248 mm
• Marked L: “Hella Guth 31”
• Verso: female nude – linear pencil sketch; lower right: “12”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/3
• Hella Guth: Two Heads, 1931
• Brush and ink drawing on paper, 396 x 394 mm
• Marked lower right: “Hella Guth 31”
• Verso, lower right: “13” (or perhaps “18”)
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/4
• Hella Guth: Peasant Children (Bauernkinder), 1932
• Brush and ink drawing on paper, 518 x 418 mm
• Marked lower left: “Bauerkinder”; lower right: “Hella Guth 32”
• Verso, lower right: “9”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/5
• Hella Guth: Circus, early 1930s
• Brush and ink drawing on paper, 343 x 210 mm
• Marked lower left: “Cirkus”; lower right: “Hella Guth”; no date
• Matting: pasted on 442 x 302 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/6
• Hella Guth: Seated Female Nude, early 1930s
• Brush and ink drawing on paper, 288 x 227 mm
• Marked lower right: “Hella Guth”; no date
• Verso, lower right: “15”
• Matting: pasted on 440 x 300 mm cardboard
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/7
• Hella Guth: Solitary Guest (Einsamer Gast), early 1930s
• Charcoal on paper, 205 x 242 mm
• Marked lower left: “Einsamer Gast”; lower right: “Hella Guth”; no date
• Verso, top right corner: “11”
• Matting: pasted on 300 x 312 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/8
• Hella Guth: Mother with New Born Child, turn of the 1920s and 1930s
• Charcoal on paper, 268 x 217 mm
• Marked lower left: “Aktstudie”
• Marked lower right: “Hella Guth”; no date
• Verso, lower right: “14”
• Matting: pasted on cardboard 440 x 300 mm
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/9
• Hella Guth: Head of Youth, 1931
• Charcoal drawing on hand-made paper, 573 x 407 mm
• Marked lower right: “Hella Guth 1931”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/10
• Hella Guth: In the Tavern (Gasthaus), turn of the 1920s and 1930s
• Charcoal on paper, 348 x 320 mm
• Marked lower left: “Gasthaus”; lower right: “Hella Guth”; no date
• Matting: pasted on 555 x 440 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/11
• Hella Guth: Film Studio (Filmatelier), turn of the 1920s and 1930s
• Charcoal on paper, 388 x 313 mm
• Marked lower right: “Hella Guth”; lower left: “Filmatelier”; no date
• Matting: pasted on 570 x 439 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.825/12
• Hella Guth: “Allan Borg: End of the Second Act. Drawn by Helena Guth.” (Graphic design for a poster), 1930s
• Brush and ink drawing and white tempera on paper, 226 x 442 mm
• Unmarked
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/1
• Hella Guth: Landscape (Landschaft), ca. 1928
• Woodcut on paper, sheet: 314 x 228 mm; print: 160 x 140 mm
• Marked under the print: “Landschaft Hella Guth”; no date
• [see inv. no. 77.824/7]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/2
• Hella Guth: Landscape with River, Bridge and Electricity Pylons, 1928
• Woodcut on paper, sheet: 222 x 314 mm; print: 140 x 160 mm
• Marked with monogram “HG” in the lower right of plate; date: “Weinachten 28”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/3
• Hella Guth: In Port, 1928
• Woodcut on paper, sheet: 227 x 316 mm; print: 141 x 159 mm
• Marked lower right on reverse: “Weinachten 28”
• Verso: ditto
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/4
• Hella Guth: Landscape with Trees and Sun, 1928
• Woodcut on paper, sheet: 224 x 312 mm; print: 142 x 159 mm
• Marked with monogram “HG” in the lower centre of plate
• Verso lower right: “Weinachten 28”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/5
• Hella Guth: Landscape with Bridge, 1928
• Dřevořez na japanu, list: 283 x 202 mm; otisk: 160 x 140 mm
• Značeno na reversu: „Weinachten 28“
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/6
• Hella Guth: Church on the Coast (Kirche am Meer), ca. 1928
• Woodcut on paper, sheet: 293 x 237 mm; print: 160 x 138 mm
• Marked under the print: “Kirche am Meer”; lower right: Hella Guth; no date
• Matting: 341 x 260 mm
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/7
• Hella Guth: Japanese Women (Japanerinnen), ca. 1928
• Woodcut on paper, sheet: 251 x 193 mm; print: 154 x 193 mm
• Marked lower left under the print: Japanerinnen; lower right under the print: Hella Guth; no date
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/8
• Hella Guth: Mother (Mutter), 1928
• Woodcut on paper, sheet: 287 x 234 mm; print: 205 x 160 mm
• Marked lower right under the print: Hella Guth; lower right in the plate: “HG 1928”; lower left under the print: “Mutter”
• Verso lower right: “cena [price] K 55”; “3”; top right corner: “h”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/9
• Hella Guth: Two Girls (Zwei Mädchen), ca. 1928
• Woodcut on japan paper, 232 x 123 mm (sheet cut off)
• Marked lower left: “2 Mädchen”; lower right: Hella Guth; no date
• Verso, top right corner: “i”; lower right: “4”
• Matting: pasted on 441 x 214 mm cardboard
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/10
• Hella Guth: Woman with a Parrot (Frau mit Papagei), ca. 1928
• Woodcut on paper, sheet: 218 x 194 mm; print: 139 x 116 mm
• Marked lower right under the print: “Hella Guth”; lower left: “Frau mit Papagei”; no date
• Matting: pasted on 443 x 302 mm paper
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/11
• Hella Guth: Mother with Child, ca. 1928
• Woodcut on paper, sheet: 433 x 244 mm; print: 290 x 170 mm
• Marked lower left in the plate: “HG”; lower right under the print: “Hella Guth”
• Verso, top right corner: “K”
• [see inv. no. 77.824/6]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/12
• Hella Guth: End of Work (Arbeitsschluss), ca. 1928
• Woodcut on paper, sheet: 412 x 321 mm; print: 340 x 270 mm
• Marked lower left under the print: “Arbeitsschluss”; lower right under the print: “Hella Guth”; no date
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/13
• Hella Guth: Evening in Park (Abend im Park), 1931
• Woodcut on paper, sheet: 384 x 320 mm; print: 282 x 216 mm
• Marked lower left under the print: “Abend im Park”; lower right under the print: “Hella Guth 1931”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/14
• Hella Guth: Suburban Cabaret (Vorstadt – Varieté), turn of the 1920s and 1930s
• Woodcut on paper, sheet: 390 x 350 mm; print: 288 x 245 mm
• Marked lower left under the print: “Vorstadt – Varieté”; lower right: “Hella Guth”; no date
• [see inv. no. 77.824/5]
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/15
• Hella Guth: On the Way to Church in Winter (Kirchgang im Winter), 1927
• Woodcut on paper, sheet: 318 x 190 mm; print: 203 x 122 mm
• Marked under the print: “Kirchengang im Winter, Hella Guth, 1927”
• Verso, top right corner: “o”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/16
• Hella Guth: In Front of Mirror, turn of the 1920s and 1930s
• Woodcut on paper, sheet: 316 x 323 mm; print: 218 x 201 mm
• Marked with monogram “HG” in the lower right of plate; no date
• Verso, top right corner: “p”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/17
• Hella Guth: Cannon Song (Kanonensong), 1930s
• Woodcut on paper, sheet: 494 x 338 mm; print: 193 x 158 mm
• Marked under the print: “Kanonesang Hella Guth”; no date
• Verso, top right corner: “qu”; lower right: “11a”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/18
• Hella Guth: Cripple (Der Krüppel), turn of the 1920s and 1930s
• Woodcut on paper, sheet: 300 x 256 mm; sheet: 436 x 350 mm
• Marked with monogram “HG” in the lower left of the plate; under the print: “Der Krüppel, Hella Guth”; no date
• Verso, top right corner: “r”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.826/19
• Hella Guth: Anecdote
• Brush and ink drawing, tempera and pencil on paper, 302 x 410 mm
• Unmarked / no date
• Pencilled note in lower corner:
• - Gentlemen, I wish to draw your attention to the fact that you can even hear this racket on the ground floor.
• - Why then have you come upstairs?
• Verso, top right corner: Guthová Helena Praha IV
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/1
• Hella Guth: Gypsy Girl, 1930s
• Watercolour on paper, 243 x 233 mm
• Marked lower right: Hella Guth; no date
• Verso, lower right: “24”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/2
• Hella Guth: Rustic Wedding (Bauernhochzeit), 1932
• Watercolour on paper, 209 x 310 mm
• Marked lower left: “Bauernhochzeit”; lower right: “Hella Guth 1932”
• Matting: pasted on 314 x 460 mm paper sheet
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/3
• Hella Guth: Village (Dorf), 1932
• Watercolour and gouache (perhaps tempera) on paper, 518 x 417 mm
• Marked lower right: “Helena Guth 32”; lower left: “Dorf”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/4
• Hella Guth: Annual Market (Jahrmarkt), 1932
• Watercolour on paper, 514 x 417 mm
• Marked lower right: “Hella Guth 32”; lower left: “Jahrmarkt”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/5
• Hella Guth: Seated Farmer’s Wife, 1932
• Watercolour and tempera (perhaps gouache) on paper, 520 x 418 mm
• Marked lower right: Hella Guth 32
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/6
• Hella Guth: In the Tavern (Das Gasthaus), 1932
• Brush and ink drawing, coloured with watercolour, on paper, 519 x 418 mm
• Marked lower left: “Der Gasthaus”; lower right: “Hella Guth 32”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/7
• Hella Guth: Card Players, early 1930s
• Brush and ink drawing on paper, coloured with watercolour, 332 x 405 mm
• Marked lower left: “Hella Guth”; no date
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

• 77.827/8
• Hella Guth: Company on the Street (Group of Four / Prostitutes and Clients), ca. 1932
• Brush and ink drawing, coloured with watercolour, on paper, 443 x 305 mm
• Marked lower left: “Hella Guth”; no date
• Verso, lower right: “23”
• Provenance: JMP acquisition from 1944, Treuhandstelle; transport number of the last owner prior to confiscation as recorded in an entry in the German Catalogue: M 686

2008

Voluntarily transferred to the heirs of Dr. Emil Freund

• Note:
• Asterisked items are listed as part of the Czech Republic’s cultural heritage

• 60.540
• Jan Slavíček, Sorrento (Still Life with Oranges and a Glass of Red Wine), 1938, watercolour on paper, 624 x 498 mm, signed and dated lower left: Jan Slavíček, Sorrento 1938

• 60.571
• Emil Filla, Still Life with Tray and Wine Bottle, 1931, oil on canvas, 39 x 55 cm (frame: 59 x 75 cm), signed and dated lower left: Emil Filla 31

• * 60.572
• Václav Špála, Southern Landscape (Village on Adriatic Coast), 1923, watercolour on paper, 475 x 627 mm, signed and dated lower right: V. Špála 23

• 60.578
• Jan Bauch, Sitting Nude, 1926, oil on canvas, 58.5 x 41 cm (frame: 72.5 x 54.5 cm), signed top right corner: Jan Bauch

• * 60.581
• Maurice Utrillo, Church of St. Peter at Montmartre, 1930, gouache on paper, 495 x 653 mm, signed and dated lower right: Maurice Utrillo, V. Noel 1930 [Christmas 1930]

• 60.588
• Bořivoj Žufan, Large Bouquet, ca. 1925, watercolour on paper, 610 x 492 mm, signed lower right: Boř. Žufan

• * 60.608
• Paul Signac, Steamboat on the Seine (Morning in Samois), 1901, oil on canvas, 74 x 92.5 cm (frame: 81.5 x 100 cm), signed and dated lower right: P. Signac 1901

• * 60.580
• Maurice Vlaminck, Road through a French Village, 1930s, gouache on paper, 490 x 640 mm, signed lower right: Vlaminck

• * 60.618
• Maurice Vlaminck, French Village in Winter, 1930's, gouache on paper, 516 x 644 mm, signed lower right: Vlaminck

• * 60.619
• Maurice Vlaminck, Road through a French Village, 1930’s, gouache on paper, 485 x 610 mm, signed lower right: Vlaminck

• * 60.620
• Maurice Vlaminck, French Village with Pond, 1930s, gouache on paper, 485 x 570 mm, signed lower right: Vlaminck

• * 60.537
• Václav Špála, Illustration for Božena Němcová's Babička, 1920, brash and ink drawing, watercolour on paper, 315 x 450 mm, signed and dated lower right: Š 20

• 60.623
• Vladimír Sychra, Nude, 1930, oil on canvas, 48.5 x 93.5 cm (frame: 67 x 112 cm), signed and dated lower left: V. Sychra 30

• 60.648
• Vladimír Sychra, Lady in Red Mantle, 1937, oil on canvas, 112.5 x 81 cm (frame: 126 x 95 cm), signed and dated lower left: Sychra 37

• 60.654
• Martin Salcman, Nude, 1931, oil on canvas, 55 x 46 cm (frame: 65 x 56 cm), signed and dated lower right: Salcman 31

• 60.661
• Zdenek Rykr, Dancing in a Café, 1930, oil on canvas, 67 x 82.5 cm (frame: 74.5 x 88.5 cm), signed and dated top right corner: Rykr 30

• 60.680
• Oldřich Kerhart, Corsican Landscape, 1927, oil on canvas, 63 x 75 cm (frame: 67.5 x 79.5 cm), signed and dated lower left: O. Kerhart 1927

• 60.684
• Alois Moravec, Two Women at Table (Chambre séparée), 1930, oil on canvas, 48.5 x 63 cm (frame: 73 x 87 cm), signed and dated lower left: A. Moravec 30

• * 60.688
• Cyprián Majerník, Don Quixote and Sancho Panza, after 1937, gouache on paper, 295 x 440 mm, signed lower left: CM

• * 60.689
• Charles Dufresne, Three Nudes in a Garden, before 1924, gouache on paper, 322 x 417 mm, signed lower right: Dufresne

• * 60.691
• Paul Signac, River Landscape (Lézardrieux), 1927, watercolour on paper, 272 x 434 mm, signed and dated lower right: P. Signac 1927

• 60.692
• Bořivoj Žufan, Alone in the Forest, ca. 1925, oil on canvas, 65 x 100 cm (frame: 85 x 120 cm), signed lower left: Bořivoj Žufan

• 60.694
• Václav Špála, Summer Resort, 1936, oil on canvas, 65 x 81.5 cm (frame: 78.5 x 95 cm), signed and dated lower left: V. Špála 36

• 60.702
• Jaroslav Grus, Road through Autumnal Landscape, 1934, oil on canvas, 80.5 x 99.5 cm (frame: 92 x 109.5 cm), signed lower left: J. Grus

• 60.704
• Vladimír Sychra, Portrait of Girl, 1934, oil on canvas, 65 x 49.5 cm (frame: 80 x 65 cm), signed and dated top right corner: Sychra 34

• 60.705
• Maurice Utrillo, Le donjon rue des Veaux, Vire – Calvados, 1932, oil on canvas, 38 x 46 cm (frame: 60.5 x 68.5 cm), signed and dated lower left: Maurice Utrillo, V. 1932 – Vire (Calvados), Le donjon rue des Veaux

• * 60.707
• Maurice Vlaminck, Landscape, 1930s, pen and ink drawing, watercolour on paper, 294 x 387 mm, signed lower left: Vlaminck

• * 60.708
• André Derain, Head of Young Woman, ca 1920, oil on canvas, 35.5 x 27.5 cm, (frame: 35.5 x 27.5 cm), signed lower right: Derain

• 89.309
• Otakar Nejedlý, Landscape with Ruins, ca 1925, oil on canvas, 48.5 x 58.5 cm (frame: 60 x 69.5 cm), signed lower right: O. Nejedlý, no date

• 97.018
• Oldřich Koníček, Fishermen in Bay, 1916, oil on canvas, 55.5 x 66 cm, signed and dated lower left: Koníček 1916

• 60.672
• Emil Pittermann-Longen, Factory at Riverside, 1926, oil on canvas, 58 x 60 cm, signed lower right: E. A. Longen; date at the upper left corner: 1926

• 27.653/01
• Otto Gutfreund, Feather-Strippers, 1922, terracotta model for a bronze sculpture, height: 32 cm, unsigned

Voluntarily transferred to the original owner from the Kolben family

• 27.759
• Hans Kolben, Still-Life with Tulips and Lemon, 1941, oil on canvas mounted on a board,
• 395 x 315 mm, signed lower left: 19 H. K. 41

• 27.760
• Hans Kolben, Still-Life with Mirror, Newspaper, Smoking Accessories and Bouquet, 1941, oil on canvas
• mounted on a board, 395 x 315 mm, signed lower left: 19 H. K. 41

• 27.762
• Hans Kolben, Flower on Window Sill, 1941, oil on canvas mounted on a board, 395 x 315
• mm, signed lower right: 19 H. K.41

• 27.763
• Hans Kolben, View of a Village Church, 1941, oil on cardboard, 500 x 395 mm, signed
• lower left: 19 H. K. 41

• 27.764
• Hans Kolben, View of Monte Carlo (based on a postcard), 1941, oil on cardboard, 545 x
• 655 mm, signed lower left: 19 H. K. 41

• 27.765
• Hans Kolben, View of a Valley with Brook, 1943, oil on canvas, 650 x 795 mm, signed
• lower left: 19 H. K. 43

• 27.766
• Hans Kolben, Winter Landscape with River, 1943, oil on cardboard, 610 x 825 mm, signed lower right: 19 H.K.43

• 27.767
• Hans Kolben, Summer in the Mountains, 1943, oil on cardboard, 595 x 830 mm, unmarked

• 27.768
• Hans Kolben, Villa with Park, 1940, oil on canvas, 655 x 895 mm, signed lower left: H. K.

• 27.769
• Hans Kolben, Alpine Landscape with Monastery, 1940, oil on canvas, 825 x 695 mm, unsigned

• 27.770
• Hans Kolben, View of a Lakeside Alpine Town, 1935, oil on canvas mounted on cardboard, 465 x 635 mm, signed lower left: H.Kolben

• 27.771
• Hans Kolben, View of a Vegetable Garden Adjoining a Rustic Building, oil on canvas mounted on a cardboard, 495 x 395 mm, unsigned

• 27.772
• Hans Kolben, Suburban Garden with Sunflowers, 1941, oil on cardboard, 500 x 400 mm, signed lower left: 19 HK 41

• 27.776
• Hans Kolben, Still-Life with Flowers in Round Vase, 1940, oil on cardboard, 440 x 320 mm, unsigned

• 27.777
• Hans Kolben, Mountain Path, 1940, oil on canvas, 460 x 560 mm, unsigned

• 27.778
• Hans Kolben, Rustic Lakeside Buildings, 1940, oil on canvas mounted on cardboard, 395 x 495 mm, unsigned

• 27.779
• Hans Kolben, View of Karlovy lázně [Carlsbad] in Prague, 1940, oil on canvas, 550 x 410 mm, unsigned

• 27.780
• Hans Kolben, View of a Village Church, 1940, oil on canvas mounted on cardboard, 500 x 685 mm, unsigned

• 27.781
• Hans Kolben, View of Novotneho lavka [Novotny Bridge] from the Bellevue House on the Right
• Bank of the River Vltava, 1940, oil on canvas mounted on cardboard, 495 x 395 mm, unsigned

• 27.784
• Hans Kolben: Rocky Landscape, 1940, oil on canvas, 565 x 780 mm, unsigned

• 27.810
• E. Čihák, Portrait of an Elderly Man form the Kolben Family, 1907, oil on canvas, 635 x 470 mm

• 27.811
• E. Čihák, Portrait of an Elderly Woman from the Kolben Family, 1907, oil on canvas, 635 x 470 mm

• 73.001
• Max Kopf, The Holy Grail, 1921, oil on canvas, 1430 x 1310 mm, signed lower right: M. Kopf 21

2006

Voluntarily transferred to the heirs of Dr. Emanuel Herrmann and Margit Herrmann

• 079.573
• C[arl] Vogl, Portrait of an Elderly Woman with a Prayer Book, oil on canvas, 655 x 520 mm, signed at right edge: C. Vogl 1845

• 082.133
• C[arl] Vogl, Portrait of a Man, 1845, oil on canvas, 655 x 520 mm, signed at right edge: C. Vogl 1845
• Restituted to the original owner from the Kolben family

• 027.813
• Adolf Wiesner, Portrait of Malvina Kolben, 1917, oil on canvas, 1140 x 915 mm, signed and dated lower left: Ad. Wiesner 1917

• 027.814
• Adolf Wiesner, Portrait of Engineer Emil Kolben, 1920, oil on canvas, 1400 x 940 mm, signed and dated lower right: Ad. Wiesner 1920

1998

Voluntarily transferred to the heirs of Gustav and Marta Beer of Prague

• 027.189
• Maxim Kopf, Portrait of Young Lady, 1928, oil on canvas, 900 x 650 mm, signed and dated lower right: M. Kopf 28

• 027.200
• Unknown artist: Portrait of Man with Light-Brown Moustache, oil on canvas, 710 x 500 mm, unsigned

• 027.307
• Adolf Henke, Bust of Man with Beard and Glasses, 1916, wood / bronze, 220 x 160 mm, signed and dated lower right

1996

Voluntarily transferred to the heirs of Bedřich Fritta

• 174.001
• Departing Transport (Hanover Barracks and Rampart on the left)
• soft pencil drawing, coloured by watercolour on yellowed paper from a sketchbook, 100 x 135, unmarked

• 174.002
• Departing Transport with a Loaded Wagon, soft pencil, brush and ink drawing on yellowed paper from a sketchbook, 100 x 135, unmarked, note added in pencil above: “Transport D, K”

• 174.003
• Gardens by the Bakery in Terezín, watercolour on yellowed paper from a sketchbook 100 x 135, unmarked

• 174.004
• Three Men with a Meat Cart, charcoal drawing coloured by watercolour, washed on yellowed paper from a sketchbook 100 x 135, unmarked, note added in pencil underneath: “Meat”

• 174.005
• Three Figures Resting on Suitcases, pencil, brush and ink drawing on yellowed paper from a sketchbook, 100 x 135, marked lower right

• 174.006
• Two studies, pen and black ink drawing in an oblong frame on hard white paper, page from a sketchbook, 143 x 200, unmarked

• 174.007
• Three Figures in front of the Rampart Wall, pen and black ink drawing on hard white paper from a sketchbook, 143 x 200, unmarked

• 174.008
• Sketch of a man standing in front of a group of people, pen and black ink drawing, 143 x 200, unmarked, page from a sketchbook

• 174.009
• Preparatory study for the drawing “Children’s Home”, pen and black ink drawing, 143 x 200, unmarked, page from a sketchbook

• 174.010
• Two sketches of male figures, pen and black ink drawing, 143 x 200, page from a sketchbook

• 174.011
• Study for the drawing “Hospital in the Cinema”, pen and black ink drawing, 143 x 200, unmarked, page from a sketchbook

• 174.012
• Study for the drawing “Hospital in the Cinema”, pen and black ink drawing, 143 x 200, page from a sketchbook

• 174.013
• Study of women’s heads and figures, pen and sepia ink drawing, 143 x 200, unmarked

• 174.014
• Portrait of an Old Woman, pen and sepia ink drawing, 185 x 120, unmarked, page from a sketchbook

• 174.015
• Two studies of groups of figures, pencil drawing, 220 x 152, unmarked

• 174.016
• Studies of figures in the transport, pen and black ink drawing, 290 x 203, unmarked, page from a sketchbook

• 174.017
• Double-sided drawing, chamois page from a sketchbook, 290 x 203, unmarked
• front: Old Woman, red chalk drawing
• reverse: Several Figures from the Transport, red chalk drawing

• 174.018
• Figurative study (elongated figure of a seated elderly person leaning his head against his left hand),
• red chalk drawing, 290 x 203, unmarked, page from a sketchbook

• 174.019
• Double-sided drawing
• front: Study of figures in the transport
• reverse: Architectural study – Terezín ramparts
• red chalk drawing, 290 x 203, unmarked, page from a sketchbook

• 174.020
• People in a Cellar, charcoal drawing, 210 x 298, unmarked, page from a sketchbook

• 174.021
• Peeling Potatoes, charcoal drawing, 210 x 298, unmarked, page from a sketchbook

• 174.022
• Four sketches, pen and black ink drawing, 292 x 208, unmarked, page from a sketchbook

• 174.023
• Two studies for “Flood” and “Drum of Death”, pen and black ink drawing, 292 x 206, unmarked, page from a sketchbook

• 174.024
• Five studies, pen and black ink drawing, 210 x 290, unmarked, page from a sketchbook

• 174.025
• Studies: “Tower of Death” and “Vultures in Terezín”, pen and black ink drawing, page from a sketchbook

• 174.026
• Five sketches, pen and black ink drawing, 290 x 210, unmarked, page from a sketchbook

• 174.027
• Seven studies, pen and black ink drawing, 290 x 210, unmarked, page from a sketchbook

• 174.028
• Two sketches, pen and black ink drawing, 292 x 210, unmarked, page from a sketchbook

• 174.029
• Study for the drawing “Drum of Death”, pen and black ink drawing, unmarked, page from a sketchbook

• 174.030
• Four sketches, pencil drawing, coloured by watercolour, 206 x 287, unmarked, page from a sketchbook

• 174.031
• Eight studies, pen and black ink drawing, 275 x 209, unmarked, page from a sketchbook

• 174.032
• Three sketches and notes, pen and black ink drawing, 277 x 209, page from a sketchbook

• 174.033
• Anatomical study and sketch for the drawing House of Prayer and Variety Show – black ink, 277 x 209, unmarked, page from a sketchbook

• 174.034
• Departure of the Transport, charcoal wash, coloured chalk and watercolour drawing, 282 x 204, unmarked, page from a sketchbook

• 174.035
• Taking Away the Coffins, brush and chalk drawing, coloured by watercolour, 282 x 204, unmarked, page from a sketchbook

• 174. 036
• Empty Billets, charcoal and chalk drawing, 282 x 204, unmarked, page from a sketchbook

• 174.037
• Scrubbing the Floor – study, charcoal and chalk drawing, 282 x 204, unmarked, page from a sketchbook

• 174.038
• Wedding, charcoal drawing, 282 x 204, unmarked, page from a sketchbook

• 174.039
• Polish Children (in a camp for children deported from Bialystok), pen and black ink drawing, 220 x 300, unmarked

• 174.040
• Fantasy study, pen and black ink drawing, 220 x 300, unmarked,

• 174.041
• Houses of Cards, pen and black ink drawing, 220 x 300, unmarked

• 174.042
• Sketch, pen and ink wash drawing, 297 x 220, unmarked, 105/68

• 174.043
• Study of a Seated Man, coloured pen and ink drawing, 297 x 220, unmarked,

• 174.044
• Fantasy, brush and ink drawing, 220 x 297, unmarked

• 174.045
• Old Men Prior to Deportation, coloured pen and ink drawing, 203 x 267, unmarked,

• 174.046
• Study – Room, pen and ink drawing, 115 x 121, unmarked, page from a sketchbook

• 174.047
• Study – pen and ink drawing, 183 x 120, unmarked, page from a sketchbook

• 174.048
• Sketches, pencil drawing, 790 x 208, unmarked, page from a sketchbook

• 174.049
• Typological study of men’s heads, pencil drawing, 215 x 115, unmarked

• 174.050
• Study – Morgue, pen and black ink drawing, 198 x 143, unmarked, page from a sketchbook

• 174.051
• Four sketches, pencil drawing, 220 x 115, unmarked

• 174.052
• Figurative study, pencil drawing, 218 x 148, unmarked

• 174.053
• Seated Woman in a Coat, watercolour, 235 x 202, page from a sketchbook

• 174.054
• Arrival of the Transport, pencil drawing, 151 x 230, unmarked – disputed attribution

• 174.055
• Caricature, pen and ink drawing on a slip of paper, 120 x 150, unmarked

• 174.056
• Cavalry Barracks
• Entrance to the Cavalry Barracks, pencil drawing
• Two Lines in front of the Cavalry Barracks, pen and ink drawing, 297 x 225

• 174.057
• Study of male figures, pen and ink wash drawing, unmarked

• 174.058
• Hall IV, pencil drawing, 228 x 312, unmarked

• 174.059
• Four studies (“Drum of Death”), pen and ink drawing, 310 x 219, unmarked

• 174.060
• Actors, coloured pen and ink drawing, 218 x 297, unmarked

• 174.061
• Prams, pen and ink wash drawing, 248 x 305, unmarked

• 174.062
• Ghetto Gate, brush and ink drawing, 333 x 251, unmarked

• 174.063
• Bakery Chimneys, coloured pen and ink drawing, 248 x 338, unmarked

• 174.064
• Ghetto Gate, unmarked

• 174.065
• Terezín Motif, brush and ink drawing, 250 x 332, unmarked

• 174.066
• Life in the Yard, pen and black ink drawing, 325 x 248, unmarked

• 174.067
• Fence outside the Madhouse, pen and black ink wash drawing, 325 x 250, unmarked

• 174.068
• Portrait of an Old Woman, pen and black ink wash drawing, 320 x 250, unmarked

• 174.069
• Before Deportation, pen and ink wash drawing, black ink, 323 x 250

• 174.070
• Seated Woman, brush and ink wash drawing, 333 x 250, unmarked

• 174.071
• Ghetto Gate, coloured charcoal drawing, 326 x 250, unmarked

• 174.072
• Cavalry Barracks, brush and ink drawing, 248 x 325, unmarked

• 174.073
• Courtyard, pen and blue ink wash drawing, 340 x 255, unmarked

• 174.074
• Portrait of a Man, 340 x 250, brush and ink wash drawing, unmarked

• 174.075
• Bakery in Terezín, pencil drawing, 337 x 250, unmarked

• 174.076
• Profile of a Man’s Head, pencil drawing, 338 x 250, unmarked

• 174.077
• Garden between the Ramparts, brush and ink wash drawing, 335 x 250, unmarked

• 174.078
• Sketches, double-sided drawing, pencil and pen-and-ink drawings

• 174.079
• Terezín Courtyards, pencil drawing, 335 x 250, unmarked

• 174.080
• Study of the Terezín Barracks, pencil drawing, 325 x 250, unmarked

• 174.081
• Track Leading to the Ghetto, brush and ink wash drawing, coloured by watercolour, 252 x 322, unmarked

• 174.082
• Lining up of a Work Group, brush and ink wash drawing, 256 x 327, unmarked

• 174.083
• Relaxation, brush and ink wash drawing, 248 x 338, unmarked

• 174.084
• Contrasts – Theatre, pen and ink wash drawing, 241 x 348, unmarked

• 174.085
• Theatre, pen and ink wash drawing, 250 x 350, unmarked

• 174.086
• Billets, pen and black ink drawing, 287 x 377, marked in the upper left corner: Fritta

• 174.087
• Men’s Billets in the Sudeten [Barracks], pen and black ink drawing, 378 x 285, marked in the lower right corner: Fritta

• 174.088
• The Blind, pen and black ink drawing, 282 x 376, marked in the upper left corner: Fritta

• 174.089
• The Madhouse, pen and black ink drawing, 373 x 275, marked in the lower right corner: Fritta

• 174.090
• Transport Arriving in Terezín, pen and black ink drawing, 285 x 382, marked in the upper right corner: Fritta

• 174.091
• Courtyard in the Sudeten Barracks, pen, ink and brush drawing, 285 x 382, marked in the lower right corner: Fritta

• 174.092
• Three sketches, pen and ink wash drawing, 386 x 278, unmarked

• 174.093
• Three sketches, pen and ink wash drawing, 390 x 275, unmarked

• 174.094
• Study for the drawing “Variety Show”, pen and ink wash drawing, 389 x 275, unmarked

• 174.095
• Study, coloured pen and ink drawing, 386 x 275, unmarked

• 174.096
• The Sluice, coloured pen and ink drawing, 389 x 275, unmarked

• 174.097
• Three sketches, pen and ink wash drawing, 390 x 278, unmarked

• 174.098
• Two sketches, pen and sepia ink wash drawing, unmarked

• 174.099
• Two sketches, pen and sepia ink wash drawing, 388 x 273, unmarked

• 174.100
• Three sketches, 390 x 275, pen and black ink drawing, unmarked

• 174.101
• Two sketches, pen and black ink drawing, 390 x 276, unmarked

• 174.102
• Two studies, pen and sepia ink wash drawing, 388 x 275, unmarked

• 174.103
• Listeners, pen and ink wash drawing, 380 x 335, unmarked

• 174.104
• Eight sketches for the drawing Film and Reality, pen and ink drawing, unmarked

• 174.105
• Two studies, pen and ink wash drawing, 398 x 290, unmarked

• 174.106
• Six studies, pen and ink wash drawing, 390 x 303, unmarked

• 174.107
• Three sketches of the railway construction, pen and black ink drawing, 422 x 300, unmarked

• 174.108
• Five sketches, unmarked, inscription on the back: Crossing reserved for Germans

• 174.109
• Six studies, pen and ink wash drawing, pencil drawing, 300 x 441, unmarked

• 174.110
• Eleven sketches, pen and black ink drawing, unmarked

• 174.111
• Three sketches, pen and ink wash drawing, 435 (158) x 315 (182), unmarked

• 174.112
• Three sketches, pen and black ink drawing, study for the drawing “Life of a Prominent Person”, 422 x 300, unmarked

• 174.113
• Sketches, pen and black ink drawing, 297 x 410, unmarked

• 174.114
• Four studies, pen and black ink drawing, 415 x 282, unmarked

• 174.115
• Fantasy – Drum of Death, pen and black ink drawing, 438 x 310, unmarked

• 174.116
• Four studies, pen and ink wash drawing, 440 x 300, unmarked

• 174.117
• Study for the drawing “Variety Show”, pen and black ink drawing, 440 x 303, unmarked

• 174.118
• Sketch of people queuing for food, pen and ink wash drawing, 440 x 300, unmarked

• 174.119
• Morgue, pen and ink wash drawing, 440 x 300, unmarked

• 174.120
• Three sketches, pen and black ink drawing, 440 x 300, unmarked

• 174.121
• Old Woman, pen and ink wash drawing, 455 x 334, unmarked

• 174.122
• Barbed Wire Fence, pen and ink wash drawing, 445 x 340, unmarked

• 174.123
• Bakery Chimneys, brush and ink wash drawing, 316 x 474, unmarked

• 174.124
• Fantasy – Tower of Death, pen and black ink drawing, 465 x 338, marked in the lower right corner: Fritta

• 174.125
• In the Yard, pen and ink wash drawing, 470 x 323, unmarked

• 174.126
• Israel and Sarah, brush and ink drawing, 367 x 481, marked lower right: Fritta

• 174.127
• Billets for the Elderly in the Cavalier Barracks, pen, ink and brush wash drawing, 474 x 360, marked: Terezín 1943

• 174.128
• Arrest, pen and ink wash drawing, 375 x 490, marked in the lower right corner: Fritta

• 174.129
• Terezín Still Life, ink and brush wash drawing, 510 x 382, unmarked

• 174.130
• Abandoned Luggage, pen and black ink drawing, 365 x 570, marked in the lower right corner: Fritta (Terezín 1942)

• 174.131
• Illustration – Call for Help (Flood, pen and black ink drawing, 394 x 553, marked in the lower right corner: Fritta

• 174.132
• Children’s Home, pen and ink wash drawing, 588 x 420, unmarked

• 174.133
• Ghetto Rampart, brush wash drawing, 435 x 590, unmarked

• 174.134
• Wartime Production Workshop, ink, brush and pen drawing, 430 x 585, unmarked

• 174.135
• Ghetto, pen and black ink drawing, 590 x 435, marked lower right: Fritta

• 174.136
• Fantasy – Flood, brush and ink wash drawing, 420 x 583, unmarked

• 174.137
• Furniture Warehouse, pen and ink wash drawing, 415 x 590, unmarked

• 174.138
• Night Transport in the ghetto, pen and ink wash drawing, 423 x 590, unmarked

• 174.139
• The Only Means of Transport, pen, brush and ink wash drawing, 417 x 596, unmarked

• 174.140
• Fantasy II, pen and black ink drawing, 400 x 583, marked in the lower right corner: Fritta

• 174.141
• Fortune-teller, pen and ink wash drawing, 587 x 422, marked in the lower right corner: Fritta

• 174.142
• Burial, pen and ink wash drawing, 439 x 600, unmarked

• 174.143
• Café, pen and black ink drawing, 443 x 605, marked in the lower left corner: Fritta (Terezín 1943)

• 174.144
• Film and Reality, pen and black ink drawing, 440 x 600, marked in the lower left corner: Fritta

• 174.145
• Theatre in the Attic, 485 x 715, unmarked (Terezín 1943)

• 174.146
• Transport Leaving the Ghetto, pen, brush and ink wash drawing, 484 x 708, unmarked

• 174.147
• Billets in the Attic, pen, brush and ink drawing, 480 x 704, unmarked

• 174.148
• View of Terezín, pen and ink wash drawing, 483 x 705, unmarked

• 174.149
• Billets in a Former Shop, pen and ink wash drawing, 474 x 703, unmarked

• 174.150
• Relaxation, pen, brush and ink drawing, 482 x 773, in the right margin: Fritta

• 174.151
• Performance in the Billets, pen, brush and ink wash drawing, 482 x 741, marked in the lower left corner: Fritta

• 174.152
• House of Prayer and Theatre, pen and black ink drawing, 475 x 765, marked in the lower right corner: Fritta

• 174.153
• Starting Work, brush wash drawing, 522 x 713, marked in the lower right corner: Fritta

• 174.154
• Life of a Prominent Person (Herbert Panger), pen and black ink drawing, 585 x 765, marked in the lower right corner: Fritta

• 174.155
• Variety Show, pen and ink wash drawing, 570 x 845, marked in the lower right corner: Fritta

• 174.156
• Arriving Transport, pen and ink wash drawing, 572 x 851, marked

• 174.157
• Billets in the Attic, pen, brush and ink wash drawing, 574 x 852, marked in the lower right corner: Fritta

• 174.158
• Life in Terezín, pen and ink wash drawing, 575 x 857, marked in the lower right corner: Fritta

• 174.159
• Autumn, pen, brush and ink drawing, 570 x 850, unmarked

• 174.160
• Stage Scenery for the International Commission, pen and black ink drawing, 570 x 845, marked in the lower right corner: Fritta

• 174.161
• Park Reserved for Germans, pen and black ink drawing, 595 x 940, marked

• 174.162
• Life and Death in the Yard, brush, pen and ink drawing, 610 x 870, marked

• 174.163
• Transport Waiting to Leave for Poland, pen, brush and ink wash drawing, 703 x 970, marked in the upper right corner: Fritta

• 174.164
• Moving Four Thousand Men in a Single Day, pen and black ink drawing, 700 x 960, marked in the lower left corner: Fritta

• 174.165
• Fantasy – The End of Terezín, drawing ink coloured by watercolour and coloured chalk, 745 x 1055, marked in the lower right corner: Fritta

• 174.166
• Sketchbook I, 35 pages, white drawing paper, grey front sheet, 205 x 142, unmarked

1. Title page
2. Crowd Going Through the Street (charcoal and ink wash)
3. The First Courtyard of the Magdeburg Barracks (charcoal wash drawing, coloured with sepia)
4. Four Men in a Food Queue (pen and ink wash drawing ink)
5. Woman Sitting with her Luggage (coloured drawing ink)
6. Portrait of a Young Man in a Cap (brown chalk)
7. Portrait of an Old Woman (pen and ink wash drawing)
8. Portrait of an Old Woman Wearing a Headscarf (pen and ink drawing)
9. Two Children at the Entrance to the Courtyard (pen and sepia ink drawing)
10. Transport in the Streets (chalk drawing)
11. Man and Woman with Luggage on their Backs (charcoal drawing)
12. Portrait of a Girl Wearing a Headscarf (red chalk drawing)
13. Portrait of an Old Man in a Cap and Glasses (charcoal drawing)
14. Courtyard of the Magdeburg Barracks (charcoal drawing)
15. Seven Men Reading Newspapers (pen and ink wash drawing ink)
16. Chess Players (charcoal and ink wash drawing)
17. Woman with a Child by a Barred Window (charcoal drawing)
18. Crowd of people in the Barracks Yard (charcoal drawing)
19. Man and Boy Resting as the Transport Leaves (charcoal drawing)
20. Woman in a Long Corridor (black grease chalk drawing)
21. Concert (black grease chalk drawing)
22. Portrait of a Man (pen and sepia ink drawing)
23. Children Playing with a Ball (black grease chalk drawing)
24. Two Trees in front of Terezín Gate (colour chalk)
25. Open Space Near the Bakery (colour chalk)
26. Man Washing Himself (pen and ink drawing ink)
27. Old Man with a Sack on his Back (pen and ink drawing)
28. Billets (pen and ink drawing)
29. Portrait of a Seated Man with Glasses (pen and ink drawing)
30. Man in Hat Writing (pen and ink drawing)
31. Study of a standing female figure (pen and ink drawing)
32. Two sketches – a) Transport; b) Portrait of a Man in a Cap
33. Fantasy – study of the town (pen and ink drawing ink)
34. Man with a Book (grease chalk drawing)
35. Caricature of a Man with a Bird’s Body (pencil drawing on the back of the sheet)

• 174.167
• Sketchbook II, 42 pages, yellow drawing paper, 290 x 205, unmarked

1. At the Magdeburg Barracks (pen and sepia ink drawing)
2. Ditches Outside the Ghetto (pen and ink drawing ink)
3. Ditches Outside the Ghetto (pen and ink drawing ink)
4. Gate by the Smithy with a Tree in the Background (pen and ink drawing ink)
5. View of the Mills (grease chalk drawing)
6. Study of a bush (grease chalk drawing)
7. Ramparts Outside the Town (grease chalk drawing)
8. Group of People in the Courtyard (charcoal wash drawing)
9. Group of People in a Vaulted Room with a Barred Window (brush and ink drawing)
10. Three sketches (brush and ink drawing)
11. Luggage Cart Pulled by Eight People (grease chalk drawing)
12. Two sketches with the inscriptions: Hamburg [Barracks] Burial, Hanover Fenster Schleusse. (grease chalk drawing)
13. Old Woman and Numbers (grease chalk drawing)
14. Three sketches: Dead Town; Wall, Houses, Perspective; Death, Child, Life (grease chalk drawing)
15. Ramparts
16. Four sketches: Street of Old Women and Men; Woman; Synagogue; Child and Building (grease chalk drawing)
17. Construction (pencil drawing)
18. Three sketches: Cavalier [Barracks]; Madhouse, (pencil drawing)
19. Butcher (pencil drawing)
20. Two sketches: Wall; Cavalier [Barracks] (grease chalk drawing)
21. Three sketches: Man by Gate; Woman in Room; Interior
22. Two sketches: Portrait of a Woman + Food Queue
23. Two sketches: Trees; Composition with the inscription Photo
24. Two sketches from a composition of the town
25. View of the Town – Courtyards (grease chalk drawing)
26. Vaults (grease chalk drawing)
27. Two sketches of Buildings (grease chalk drawing)
28. Two sketches of Buildings (grease chalk drawing)
29. Staircase, Interior (grease chalk drawing)
30. Terezín Courtyards I (pencil drawing)
31. Terezín Courtyards II (pencil drawing)
32. Terezín Courtyards III (pencil drawing)
33. Terezín Courtyards IV (pencil drawing)
34. Terezín Courtyards V (pencil drawing)
35. Two sketches marked: a) K. Kalous, Grocer’s b) Strasse, Atelier, Begrabnis, Junge Frau und Mann
36. Two sketches (pencil drawing)
37. Double-sided drawing – front: Workers (pencil drawing) reverse: Portrait of an Old Woman (pencil drawing)
38. Workers
39. Double-sided drawing – front: Workers reverse: Three Men Constructing Buildings
40. Men Constructing Buildings (brush drawing)

• 174.168
• Sketchbook III, 23 sheets of thin white paper, 298 x 225, unmarked

1. Two sketches: Deportees Walking by the Rampart Wall, Crowd by a Barred Window (watercolour)
2. People Behind a Fence (grease chalk drawing)
3. Sketch for Fun in the Billets (grease chalk drawing)
4. Study for the drawing “Stage Scenery for the International Commission” (grease chalk drawing)
5. Work Group Leaving the Sudeten Barracks
6. Three sketches (grease chalk drawing)
7. Four sketches
8. Carrying Away the Coffins (grease chalk drawing)
9. Study for the drawing “Theatre in the Attic” (grease chalk drawing)
10. Still Life (grease chalk drawing)
11. Study for the drawing “The Only Means of Transport” (grease chalk drawing)
12. Pencil sketch
13. Three sketches marked “Schatten”
14. Illegible sketch
15. Three sketches: Platz [Square], Kaffeehaus [Café], House 402
16. Five studies of Buildings on Terezín Square (pencil drawing)
17. Seven sketches
18. Six sketches
19. Five sketches (pencil drawing)
20. Four sketches (including Madhouse), (pencil drawing)
21. Six sketches
22. Six pencil sketches (including a study for the drawing “House of Cards”)
23. Study of Human Heads (pencil drawing + pen and ink drawing)

• 174.169
• Terezín Hospital in the Former Cinema, pen, brush and ink wash drawing, 585 x 865, unmarked

• 174.170
• Makeshift Billets – Cavalier, pen and black ink drawing, 280 x 380, marked: Fritta

1991

Voluntarily transferred to the original owner

• 095.351
• A. Kurka, A Woman Knitting with a Dog, oil on wooden panel, 660 x 410 mm, signed and dated lower right: A. Kurka 27

2023

• Voluntarily transferred to the heirs of Hugo Friedmann


• Call. no. 14.227
  Schneffler, Karl: Bildnisse aus drei Jahrhunderten der alten Deutschen und Niederländischen Malerei, Leipzig [1939]
   
  Call. no. 14.229
  Der Stille Garten: Deutsche Maler des ersten und zweiten Drittels des 19. Jahrhunderts, Leipzig [1920]
   
  Call. no. 14.254a, inv. no. 71/1425
  Lill, Georg: Deutsche Plastik, Berlin 1925
   
  Call. no. 14.391
  Hausenstein, Wilhelm: Vom Geist des Barock, München 1924
   
  Call. no. 14.435, inv. no. 162.399
  Woermann, Karl: Katalog der Königlichen Gemäldegalerie zu Dresden, Dresden 1899
   
  Call. no. 14.497
  Simmel, Georg: Rembrandt, Leipzig 1919
   
  Call. no. 14.546
  Gemälde und Zeichnungen von Arnold Boecklin, Berlin 1927
   
  Call. no. 14.567
  Liebermann, Max: Jozef Israels, Berlin 1918
   
  Call. no. 14.585
  Philippi, Adolf: Florenz, Leipzig 1915
   
  Call. no. 14.620
  Glaser, Curt: Die Graphik der Neuzeit, Berlin 1923
   
  Call. no. 14.631
  Bilder fran Avdelningen för de Hörge Standen, Stockholm 1924
   
  Call. no. 14.635, inv. no. 162.329
  Rijksmuseum: Führer mit Abbildungen, Amsterdam 1930
   
  Call. no. 14.655, inv. no. 162.431
  Justi, Ludwig: Verzeichnis der Schack-Galerie, München 1925
   
  Call. no. 41.230, inv. no. 151.960
  Schwarz, Karl: Die Juden in der Kunst, Wien 1936
   
  Call. no. 43.116, inv. no. 154.452
  Die Bibel oder die ganze Heilige Schrift, Stuttgart 1937
   
  Call. no. 44.261, inv. no. 155.672
  Donath, Adolf: Psychologie des Kunstsammelns, Berlin 1917
   
  Call. no. 45.308, inv. no. 156.661
  Die Biblia pauperum: Deutsche Ausgabe 1471, 1906
  
  Call. no. 48.656/1, inv. no. 159.530
  Galliner, Arthur: Max Liebermann der Künstler und der Führer, Frankfurt am Main 1927
   
  Call. no. 50.660, inv. no. 161.070
  Kretschmer, Ernst: Geniale Menschen, Berlin 1931
   
  Call. no. 52.897, inv. no. 169.505
  Wischnitzer-Bernstein, Rahel: Symbole und Gestalten der jüdischen Kunst: mit 6 farbigen Tafeln und 81 Abbildungen, Berlin 1935
   
  Call. no. 57.442, inv. no. 64/6099
  Liebermann, Max: Die Phantasie in der Malerei, Berlin 1916
   
  Call. no. P 0326/1903-1906, 1909, 1913, 1927-1933, inv. no. 159.227
  Notizbasblatt der Gesellschaft zur Erforschung jüdischer Kunstdenkmäler (E.V.) zu Frankfurt a. M., Frankfurt a. M. 1903-06, 1909, 1913, 1927-33
  

2008

Voluntarily transferred to the heirs of Naphtali Zevi Kartagener

• call no. 19.645, inv. no. 117.261
• Torat Shim’on, Mukachevo, 1934

• call no. 21.423, inv. no. 118.776
• Sefer ha-Hayyim, Cracow, 1923

• call no. 21.672, inv. no. 119.036
• Sefer Hovot Ha-Levavot, Vilnius, 1928

• call no. 35.491, inv. no. 145.999
• Torah: Shemot, Lemberg, 1878

• call no. 35.612, inv. no. 146.120
• Torah: Dvarim, Lemberg, 1878