Robert Guttmann was born on 22 April 1880 in Sušice, South Bohemia. His paternal ancestors came from Central Bohemia and his mother’s family, the Fischers, were from Moravia. Guttmann spent his childhood in Sušice and attended primary school in Planá nad Lužnicí. He went to secondary school in České Budějovice but after two troublesome years was sent home to learn the family business. He preferred to roam around the countryside, having loved flowers and animals (especially horses) since his childhood. Because of his dreamy nature he became known as “the village poet”.
   Guttmann came to Prague in 1895, attending the Bergmann Business School. Having developed a fine baritone voice he wanted to become a cantor. As a keen athlete he also dreamt of being in the Olympics. For several years he attended a private art school run by the landscape painter Alois Kirnig. But all these interests were pushed aside by Guttmann’s first encounter with the burgeoning Jewish national movement which proved to be the most important experience of his life. He went to lectures held by the Maccabi Students’ Association (1893) and in 1896 read Herzl’s book , Der Judenstaat (The Jewish State). In 1897 he walked all the way to the First Zionist Congress in Basle: “It was an exhilarating march—sheer ecstasy! I was 17 years old at the time and the march took 14 and a half weeks. I had some money on me, but apart from that, I sold my hand-painted postcards and mainly caricatures…”, he later recalled. By 1925 he had visited most of the Zionist congresses in various cities of Europe. But not everyone understood Guttmann’s devotion to the Zionist movement: “The local [Prague] Jews repaid me with the worst gratitude you can imagine... they told me not to appear in public as a Zionist because that would only hurt the movement... As a result of the personal animosity and antipathy I came across in Zionist circles I began to focus more intensively on painting.”
   In the inter-war period Guttmann was better known in Prague for his distinct appearance than for his pictures. His opinions, photographs, caricatures and reproductions were occasionally featured in a number of Prague newspapers. In summer he would set out on long hikes to Zionist Congresses abroad or would travel throughout the country on foot. He often visited spa towns where he would sketch the guests or sell his own caricatures. But he preferred to visit Zionist organizations in Slovakia and traditional Jewish communities in Subcarpathian Ruthenia.
   Guttmann’s paintings are unconventional and unclassifiable, and therefore unsettling. According to Dr. Arthur Heller, a Prague psychiatrist, they share similar traits to the works of schizophrenics, children, primitive people and certain Expressionists. They afford an insight into a secluded, sensitive soul which was drawn to nature, to the integrity of childhood and to a profound faith. Guttmann’s eccentricity and defiance may have been a way of protecting his fragile, sensitive world from outside encroachment. As an artist, he refused to be a mere reproducer of reality and defended his right to his own creative self-expression. “I am completely independent and happy that I have escaped the pedantry of the academic world and that I am free to live and rage!”. 
   After the German occupation of Czechoslovakia, Guttman’s lost the genial world in which he had been accustomed to live. He could go only to the ‘Jewish’ Café Roxy in Dlouhá Street, but he spent most of his time on his own in his tiny room where his newspaper clippings and pictures reminded him of better times. His last paintings (1939-41) were based on these memories, all in vivid bright colours; apart from a few earlier pictures, these are the only ones to have survived. On 16 October 1941 Guttmann was put on the first transport that left Prague for the Lodz ghetto. Ghetto life must have been incomprehensible and unbearable for such a globetrotter who had criss-crossed half of Europe on foot. He became completely apathetic and silent. He just stared into space with a hopeless, faraway look in his eyes, clutching his folder in his arms. He died at Lodz on 12 March 1942.
 
Biography of Robert Guttmann 

Exhibition curator: Dr. Arno Parik
Installation: Pavel Brach